{"title":"JHS Pedals","description":null,"products":[{"product_id":"jhs-moonshine","title":"JHS Pedals Moonshine V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003cp\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any  amount of clean signal to your tone!  The simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion.\u003c\/p\u003e\n\u003cp\u003eIn the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.\u003c\/p\u003e\n\u003cp\u003eThe tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003cp\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge“wall of rock” The Edge-style force through a Vox.\u003c\/p\u003e\n\u003cp\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514003554373,"sku":"NP-JHS-MOON","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4941.heic?v=1695065525"},{"product_id":"jhs-pulp-n-peel","title":"JHS Pedals Pulp 'N Peel v4","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Pulp N Peel V4 is the result of over six years of tweaking, learning, and experimenting. The Pulp N Peel V3 has become a staple on thousands of players' boards all over the world and has gained a reputation for being the compression pedal for players who don't like compression. In version 4 we have stayed true to the things that made the PnP stand out among its competition while adding several new features that expand the circuit’s ability to reach into new territory, new tones and new ways of thinking about a compression pedal. These features include an improved detection circuit for smoother and more sustained tones, more headroom, a built in parallel overdrive-drive circuit, a tone control, and parallel 1\/4\" and DI outputs. Let's take a look at what makes the PnP V4 stand out in the crowd now more than ever.\u003c\/p\u003e\n\u003cp\u003eLooking at the controls, we have Volume, Compression, Blend, EQ and Dirt. The Volume control is a standard master volume that lets you cut and boost the output signal. One major improvement of the V4 is that we have added even more clean headroom so you can use the PnP as a lead boost or drive a tube amp with ease. The Compression control rolls in compression\/sustain as you rotate it clockwise. The Blend control works much like the faders of a mixing console. As you turn the control clockwise, you are blending in compressed tone in parallel to your dry signal. This control allows you to dial in the perfect amount of attack and clarity to your compressed signal so that you never lose the original tone of your guitar and amplifier. The EQ control lets you darken and brighten your affected signal. When set at noon, the control is bypassed. Turning the EQ to the left allows you to darken while moving to the right lets you brighten the tone. The Dirt toggle works in conjunction with the side accessible trim pot and allows you to activate your desired amount of dirt\/overdrive into the signal path. This control is a magic bullet for bass players who want to cut through the mix or for electric players who only need compression and dirt as the foundation of their tone. On the side of the PnP you will also notice that the internal bypass buffer is switchable on-the-fly. For true bypass operation turn this off, but for buffered bypass signal to drive your long cable lengths and to restore lost tone, turn this on.\u003c\/p\u003e\n\u003cp\u003eThe inputs and outputs are fairly typical. The PnP runs on standard 9V DC power only. The right 1\/4\" jack is the input, and the left 1\/4\" jack is the output. The left side also has an XLR\/DI output so that you can go directly from the PnP into a mixer or studio interface. This output makes the PnP an active DI channel strip for bass players or acoustic instruments. There is also a ground lift if the DI signal creates a hum.\u003c\/p\u003e\n\u003cp\u003eThe PnP design shines as a true and transparent compressor that loves single coils as well as humbuckers. If you have ever thought that compressors rob your high-end and dull your tone, the Pulp N Peel is the compressor that you never knew you needed. The idea behind the Pulp N Peel is to have a compressor pedal that you never want to turn off, that doesn't rob your attack, that has a very low noise floor, and that adds a professional polish to every chord, lead line, and note that blooms out of your guitar.\u003c\/p\u003e\n\u003cp\u003eJuice up your tone with a slice of the unique, easy to use, and powerfully versatile Pulp N Peel V4.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514003652677,"sku":"NP-JHS-PULP","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4948_b6cb984b-3626-4323-9755-55d913e7f02b.heic?v=1695065897"},{"product_id":"jhs-muffuletta","title":"JHS Pedals Muffuletta","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive tones inspired by these classic Big Muffs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- JHS - \"2015\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- ‘73 Rams Head - “1973-1977 V2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Triangle - “1969-1970 V1”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Pi - “1977-1978 V3”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users:\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Russian - \"1999-2009 V8”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Civil War - “1991-1993 V7”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514003718213,"sku":"NP-JHS-MUFFULETTA","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5012_e2ef255a-bb06-43ee-a759-310861a9efb2.heic?v=1695067232"},{"product_id":"jhs-unicorn-v2","title":"JHS Pedals Unicorn v2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eJHS Pedals Unicorn V2 Analog Uni-Vibe Vibrato\/Chorus Guitar Effects Pedal In 2015 we brought you the Unicorn V1 ...the world's first bulb-driven photocell modulator with tap tempo...our very own Uni-Vibe if you will.  This Spring 2018 we are proud to bring you the Unicorn V2!Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969,\" and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation\/phasing\/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSounds as good as you rememberThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units.- Sounds like the originals because it’s built like the originals- All-analog signal path delivers a warm, touch-sensitive tone- Dry\/Wet toggle selects between a Uni-Vibe* and vibrato effectIn-depth tempo control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere are other analog vibe pedals and there are pedals with tap-tempo control, but - if we’re allowed to gloat for a second - the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions - or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn - and you have one of the most versatile vibe pedals on the market.- Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch- Want quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knob- LED indicator notifies you of the effect’s tempo, even when disengagedExternal tempo and expression control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.- Internal Tap\/Expression mini switch controls the side-mounted Tap\/Exp TRS jack- Expression pedal control of the Unicorn’s rate in the Exp setting- Use an external source to control the rate in the Tap Out setting (Works great with our Panther Cub Delay, Emperor Chorus pedals).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCouldn’t be easier to useOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers… but only if you dare.- Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones- Left two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514003783749,"sku":"NP-JHS-UNICORN","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4955_5105a4cc-33fd-4171-bb95-dac677859ca4.heic?v=1695065936"},{"product_id":"jhs-mini-a-b","title":"JHS Pedals Mini A\/B Box","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThere are two types of players, those that utilize an A\/B box like our Mini A\/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A\/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A\/B will fit on even the most cramped pedalboards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe do-it-all switch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHow many ways you utilize the JHS Mini A\/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/mini-foot-fuzz\/\"\u003eMini Foot Fuzz\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/emperor\/\"\u003eEmperor\u003c\/a\u003e), you’ll be hard pressed to find a pedal you step on more than this little gem.\u003c\/p\u003e\n\u003cp\u003e- Instantly swap between two instruments\u003cbr\u003e- Perfect for switching tones on dual-amplifier rigs\u003cbr\u003e- Isolate your tuner from the signal chain, while achieving silent onstage tuning\u003cbr\u003e- Leave output unplugged for a convenient mute function\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConvenient low-profile design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike its name suggests, the Mini A\/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A\/B will still work just fine.\u003c\/p\u003e\n\u003cp\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- LED indicator tells you which ¼” you have selected\u003cbr\u003e- Can run perfectly without power\u003cbr\u003e- Built rugged\u003c\/p\u003e\n\u003cp\u003eThis nifty lil' utility box ships fast and free cuz that's how we be!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514003914821,"sku":"NP-JHS-MINIAB","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_7699.heic?v=1714064247"},{"product_id":"jhs-the-crayon","title":"JHS Pedals Crayon","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe JHS Pedals The Crayon is an overdrive pedal that is a smaller version of the JHS Colour Box pedal and emulates the distorted tones of a guitar plugged directly into a vintage British studio preamp, most notably heard in the guitar intro to The Beatles’ “Revolution.” Featuring master, pre-volume and EQ knobs, as well as a high-pass filter switch, the pedal is capable of fuzz, distortion, and overdrive tones.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514004111429,"sku":"NP-JHS-CRAYON","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_9187_f0314637-20e0-41ed-b543-9d661cf924b1.heic?v=1743612839"},{"product_id":"jhs-mini-foot-fuzz","title":"JHS Pedals Mini Foot Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWelcome to the next generation of tiny fuzz that you turn on with your foot… or the Mini Foot Fuzz V2 as we like to call it. Though this little purple guy may have a toy-like appearance, you will quickly realize the sounds that come from this box are no child’s play. From gated, low-gain splat to almost infinite sustaining buzz, the Mini Foot Fuzz V2 covers a lot of ground with very little fuss and a whole lot of attitude.\u003c\/p\u003e\n\u003cp\u003eThe controls on the Mini Foot Fuzz V2 are as simple as it gets with Volume and Fuzz knobs as well as a toggle for high or low gain settings. Crank the Volume and leave Fuzz down low to give you lower-gain, vintage-style fuzz. Once you start to crank the Fuzz you will find all the cutting and splatty tones you need for any riff or lead line. In the – mode, the toggle gives you a low-gain mode where you get vintage broken-speaker type sounds. Flip it into the + mode and you get a classic yet modern high-gain buzz to blow the roof off with.\u003c\/p\u003e\n\u003cp\u003eIf you’re looking for a versatile fuzz without the fuss, the Mini Foot Fuzz V2 is your ticket. As far as we’re concerned, there’s never been a better Itty-Bitty Foot-Activated Buzzy-Sound device in all creation!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514004439109,"sku":"NP-JHS-MINIFOOTFUZZ","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_0774_2.JPG?v=1567797473"},{"product_id":"jhs-spring-tank","title":"JHS Pedals Spring Tank","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Spring Tank Reverb from JHS is a solid amp-style reverb packed into a pedalboard-friendly enclosure. The pedal features two reverb tank circuits—Tank 1 acting as your main reverb mix control and Tank 2 acting as the secondary mix control, engaged via the tank 2 switch. Players can further shape their reverb tone via depth (size of the room), length (how long the reverberation lasts), highs (add or subtract high frequencies from the reverb), and boost (overall volume). The Spring Tank also features an FX loop that allows players to add an effect of their choosing to reverb tails to create even more otherworldly soundscapes.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514004504645,"sku":"NP-JHS-SPRINGTANK","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_0779_2.JPG?v=1567797558"},{"product_id":"jhs-bonsai","title":"JHS Pedals Bonsai","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer.  It is probably the most produced and sold pedal in the history of guitar pedals!   The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp\u003eThe Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer.  Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications.  At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal.  One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our \u003ca href=\"https:\/\/www.ap.com\/\" target=\"_blank\"\u003eAudio Precision\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eanalyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box!  The Bonsai is exact replication, not emulation.  When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003cp\u003eLets take a look at the 9 modes of the Bonsai based on the 9 pedals we have chosen...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003cbr\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003cbr\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003cbr\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMSL, Power or L Series - 1985\u003c\/strong\u003e\u003cbr\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of.  Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003cbr\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExar OD-1 1989\u003c\/strong\u003e\u003cbr\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-7 (+mode) - 1999\u003c\/strong\u003e\u003cbr\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeeley Mod Plus - 2002\u003c\/strong\u003e\u003cbr\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS Strong Mod - 2008\u003c\/strong\u003e\u003cbr\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher nd low end drop offs.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514004635717,"sku":"NP-JHS-BONSAI","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4997.heic?v=1695066618"},{"product_id":"jhs-haunting-mids","title":"JHS Pedals Haunting Mids","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAre you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster.  With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination.\u003c\/p\u003e\n\u003cp\u003eThe controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo\/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped.  Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected.  Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected.  The Lo\/Hi toggle is like a \"Q\" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob.  \"Lo\" is a softer and wider peak for slightly subtler affect as you tweak the Mids\/Sweep knobs.  \"Hi\" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids\/Sweep knobs.\u003c\/p\u003e\n\u003cp\u003eThis pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every \"djent,\" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig.  The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.\u003c\/p\u003e\n\u003cp\u003e– Simple yet effective tool to boost\/cut the perfect amount of midrange frequencies.\u003cbr\u003e– Sweepable midrange frequency to find the perfect EQ to slice through any mix.\u003cbr\u003e– Turn any amp or pedal into a totally different ghastly monster.\u003cbr\u003e– Don’t forget the Volume BOOOOOOst.\u003c\/p\u003e\n\u003cp\u003eSo go and wake the undead with the ghostly sounds of the Haunting Mids!\u003c\/p\u003e\n\u003cp\u003eSPECS\u003c\/p\u003e\n\u003cp\u003e- Will boost +10dB with EQ flat\u003cbr\u003e- Total Harmonic Distortion 0.007%\u003cbr\u003e- Signal to noise ration 83dB\u003cbr\u003e- +\/- 15dB boost or cut\u003cbr\u003e- Sweepable center frequency from 400Hz to 7.5kHz\u003cbr\u003e- Switchable Q (LO-gentle broad, HI-peaking tight)\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514004668485,"sku":"NP-JHS-HAUNTING","price":149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_0520_2.JPG?v=1558209010"},{"product_id":"jhs-kodiak","title":"JHS Pedals Kodiak","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe JHS Pedals Kodiak tremolo is the newest addition to our tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation.  Let’s take a look at all the features this brown beast bears...\u003c\/p\u003e\n\u003cp\u003eThe Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control enables you to set the overall volume however you like it, either dialed back, at unity, or boosted.  A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the on-board tap-tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. The Ratio control gives you the ability to dial in faster speeds that are perfectly sync'd with the BPM of your tap.  You can choose from quarter notes, eighth notes, \"triplets,\" or sixteenth notes.  The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square, and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time-signatures for different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer!\u003c\/p\u003e\n\u003cp\u003eThe Kodiak also features a Tap\/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak.\u003c\/p\u003e\n\u003cp\u003eIt’s time for you to wrap your tone in the warm bear fur of the Kodiak!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":19514004701253,"sku":"NP-JHS-KOD","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4934_6d164c89-d842-4302-ae4f-6b6b9504ebbd.heic?v=1695065398"},{"product_id":"jhs-cheese-ball","title":"JHS Pedals Cheese Ball","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"m_-473723142068175461bloop_customfont\"\u003eLong ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Sheilds (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eCheese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBall\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time!\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-473723142068175461bloop_customfont\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-473723142068175461bloop_customfont\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eCheese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBall\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ehas your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections.  In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz\/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-473723142068175461bloop_customfont\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-473723142068175461bloop_customfont\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eCheese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBall\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eruns on 9V DC negative center power. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-473723142068175461bloop_customfont\"\u003eThe JHS\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eCheese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBall\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis our homage to one of the most excellent fuzz\/distortion pedals ever created. Rediscover the finest aged\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003echeese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ein the pedal world.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":30264079941701,"sku":"NP-JHS-CHEESEBALL","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4927.heic?v=1695065313"},{"product_id":"jhs-space-commander","title":"JHS Pedals Space Commander","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe JHS Pedals Space Commander brings you the spacey sounds of vintage chorus and reverb with a powerful clean boost on board. With simple controls and the ability to use each effect separately or engage all three effects with one stomp, you’ll find yourself fully in command of your spacial exploration like none other! So let's suit up, grab your space blaster, and prepare for take-off.\u003c\/p\u003e\n\u003cp\u003eThe Space Commander is three-effects-in-one... with a one-knob control for each of the effects: Boost, Chorus, and Reverb. Each effect is independently engaged by a toggle below the knob, and the pedal's master on\/off is the footswitch. The \"Boost\" is a simple but powerful transistor boost that can be used to give your rig more volume or send your amp into natural breakup, perfect for tube amplifiers. The Chorus is a classic swirling 80s style chorus. When increasing the Chorus control the speed increases while the depth decreases, and when decreasing it the speed decreases and the depth increases. The Reverb is a hall reverb that is perfect for adding that 80s style decay to your sound. The Reverb knob controls your reverb mix, from fully dry to fully wet. All these combined will have you screaming “Friday, I’m in love” in no time.\u003c\/p\u003e\n\u003ch3\u003eFEATURES:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClassic 80s style effects\u003c\/li\u003e\n\u003cli\u003eIndividual bypass toggles for each effect\u003c\/li\u003e\n\u003cli\u003eSimple controls for easy tweaking of your sound\u003c\/li\u003e\n\u003cli\u003eMaster bypass footswitch so you can engage all effects at once\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":30264138530885,"sku":"NP-JHS-SPACECOMMANDER","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_3936_2.jpg?v=1569514121"},{"product_id":"jhs-tidewater-tremolo","title":"JHS Pedals Tidewater Tremolo","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHave you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht. The Tidewater Tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe controls are Volume, Mix and Speed. The Volume allows you to set the overall volume at unity, below unity, or above unity for a boosted tone. With the Mix turned all the way down you can use the Tidewater as a warm preamp boost. The Mix knob controls the depth of the tremolo while the Speed knob controls how fast the tremolo moves, indicated by the LED next to the Speed knob. Inside the pedal on the back of the PCB there are three small dip-switches. When all three switches are in the down position, the range of speed available is faster. When all three switches are in the up position, the available range of speed is slower.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":30264163237957,"sku":"NP-JHS-TIDEWATER","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4983_bd356c0c-56be-4ed2-b3cb-15c76d145253.heic?v=1695066159"},{"product_id":"jhs-whitey-tighty","title":"JHS Pedals Whitey Tighty Compressor","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJHS Pedals is proud to present the Whitey Tighty compressor, our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1”x3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTighten up your tone with the JHS Pedals Whitey Tighty! It ships fast and free, cuz that's how we be!\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":30264175493189,"sku":"NP-JHS-WHITEY","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_80592.heic?v=1718130347"},{"product_id":"jhs-emperor-chorus-vibrato-v2","title":"JHS Pedals Emperor Chorus \/ Vibrato v2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eAll-analog Chorus from JHS!\u003c\/h2\u003e\n\u003cp\u003eThe second version of JHS's Emperor packs the warm, vibrant modulation of its popular predecessor into a smaller footprint. Create shimmering chorus and warbling vibrato effects while using the tap tempo footswitch to dial in the perfect modulation speed. Gigging guitarists dig the flexibility of the Emperor V2 — switchable true bypass\/buffered switching and mono\/stereo outputs make this pedal easy to integrate into any guitar rig. When your music calls for the undeniably smooth, liquid sound of analog chorus and vibrato, look to the Emperor V2.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--text\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eExperience analog modulation at its best\u003c\/h3\u003e\n\u003cp\u003eThe Emperor V2 is built around the topology of a coveted Japanese-made blue-and-gray chorus pedal from the '80s. This sought-after pedal was renowned for its tasteful, smooth chorusing at slower settings and its killer vibrato and Leslie-like pseudo-rotary effects at faster settings. The Emperor V2 employs a real 3207 bucket brigade chipset to achieve its tones, supplying you with a host of true-to-life vintage modulation effects. Discover what the guitarists at Sweetwater have known since test-driving this pedal: the Emperor V2 is analog modulation at its best!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--text\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eJHS Emperor V2 Features:\u003c\/h2\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003ePacks the warm, vibrant modulation of its predecessor into a smaller footprint\u003c\/li\u003e\n\u003cli\u003ePerfect anywhere in your signal chain thanks to switchable buffered\/true bypass operation\u003c\/li\u003e\n\u003cli\u003eTap Tempo footswitch for easy manipulation of modulation speed\u003c\/li\u003e\n\u003cli\u003eEmploys the classic 3207 bucket brigade chipset for iconic, vibrant chorus tone\u003c\/li\u003e\n\u003cli\u003eChoose from 3 different waveform shapes for 3 distinct effects\u003c\/li\u003e\n\u003cli\u003eExpression pedal input for modulation speed, for rotary-speaker-style ramp-up and slow-down\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31016497709114,"sku":"NP-JHS-EMPEROR2","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4962.heic?v=1695066003"},{"product_id":"jhs-pedals-milkman","title":"JHS Pedals Milkman","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"paragraph_style\"\u003eThe JHS Milkman collaboration pedal has been designed to be the perfect compliment for your Milkman amplifier, or any other amplifier you have in your collection. \u003c\/p\u003e\n\u003cp class=\"paragraph_style\"\u003eThe pedal is very easy to use: slap delay on the left with controls for time, mix, repeats (1-3) and an EQ for the repeats. On the right, there is a simple clean boost after the slap which you can use to push your amp into overdrive, or just add a little more gain. \u003c\/p\u003e\n\u003cp class=\"paragraph_style\"\u003eThis pedal will ship safely by the next day! \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31221063286842,"sku":"NP-JHS-MILKMAN","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_2311_3.jpg?v=1574269834"},{"product_id":"jhs-pedals-colour-box-v2","title":"JHS Pedals Colour Box V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003eIn 2012, Josh Scott, head of JHS, had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. He set out to create an effects pedal that replicated the hard to achieve sounds of \"direct-in\" electric guitar recordings that we all love.  Bands like the Beatles, Spoon, WIlco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eJosh wanted this pedal to transform a guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what was imagined.\u003c\/span\u003e The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eProducers, engineers, and artists have put the Colour Box to use in a myriad of ways. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo bus's, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument!  \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis unit can be heard on dozens of recordings from U2, Wilco, Beck, Mac DeMarco, St. Vincent, The National, Spoon, Collective Soul, Muse, to War on Drugs, Foo Fighters, and Phantogram amongst others. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe most significant improvements are:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAddition of an Output transformer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSafely Passes 48v Phantom Power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEQ Shift Knobs for precision EQ control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHi\/Lo Switch for ultra clean headroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e100% available clean signal even on acoustic guitar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSilent switching, aka no \"switch-pop\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRuns on standard 9V DC Neg power\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLet's take a look at the features and controls of the Colour Box V2.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available.  In the Lo mode, you will easily be able to get ultra clean sounds without breakup.  Lo Mode is excellent for tone shaping when distortion is not needed.  In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls.  The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +\/- 17dB of control.  If you want to boost high-mid frequencies, turn the Mid Shift knob to \u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/airmail.calendar\/2019-10-29%2015:00:00%20CDT\"\u003e3 o'clock\u003c\/a\u003e or above and increase the Middle knob above \u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/airmail.calendar\/2019-10-29%2012:00:00%20CDT\"\u003e12 o'clock\u003c\/a\u003e. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below \u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/airmail.calendar\/2019-10-29%2012:00:00%20CDT\"\u003e12 o'clock\u003c\/a\u003e. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone.  Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe Colour Box runs on standard 9V DC Negative power and measures 5.7” x 3.75” x 1.85\"\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31224924045370,"sku":"NP-JHS-COLOURBOXV2","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_7437.heic?v=1715011950"},{"product_id":"jhs-clover","title":"JHS Pedals Clover","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Clover is a reimagining of the short-lived FA-1 FET Boost\/Preamp\/EQ that Boss released as part of its pocket series in the '80s. The Clover promises to deliver the rich tone the original is known for, featuring controls for cutting or boosting bass and treble as well as a mid-range control for matching the pedal more easily with your guitar. It also features a global low-cut switch and a balanced XLR output for bassists and acoustic guitarists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis pedal ships fast and free! If you have any questions give us a call here at the shop.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31230724505658,"sku":"NP-JHS-CLOVER","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_7705.heic?v=1714064389"},{"product_id":"jhs-superbolt-v2","title":"JHS Pedals Superbolt V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe SuperBolt is JHS Pedals’ attempt to deliver that exploding-little-amp sound in a stompbox. The all-analog pedal is based on the sound of the Supro S6420 Thunderbolt allegedly used on early Zeppelin records, and it manages to replicate the sounds of the Silvertone, Supro, Harmony, and Oahu amps Valco built in the early ’60s.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31263920717882,"sku":"NP-JHS-SUPERBOLT","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_5244_3.jpg?v=1576455137"},{"product_id":"jhs-pedals-lucky-cat-digital-tape-delay-w-tap-tempo","title":"JHS Pedals Lucky Cat Digital\/Tape Delay w\/Tap Tempo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eThe Best of Analog and Digital Processing\u003c\/h2\u003e\n\u003cp\u003eBased on their very first delay pedal from 2007, the JHS Lucky Cat digital delay pedal is a great example of digital processing done right. With the Dark control fully clockwise, you'll hear transparent digital repeats. Crank the control all the way down for a gritty, lo-fi analog-style delay. And everything in between sounds sweet. With delay time ranging from short slapback to a full second, the Lucky Cat is a versatile delay for any application. And with two types of modulation available, you've got a ton of creative potential in the JHS Lucky Cat delay pedal.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eTwo modulation modes for expanded effects capabilities\u003c\/h3\u003e\n\u003cp\u003eBeyond the delay effect, the Lucky Cat pedal offers two modulation modes for added vibe. Mod 1 delivers a subtle shimmer, which is perfect for adding a chorus-like sparkle to your tone. Mod 2 is more drastic, delivering a deeper and more intense warble. Dial in the Mix and Repeats appropriately, and you can coax some great chorus and vibrato effects out of the Lucky Cat.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eSwitch between Tape and Digital modes for two distinct voicings\u003c\/h3\u003e\n\u003cp\u003eIn Digital mode, the overall character of the Lucky Cat is transparent and true. Switch over to Tape mode for a slightly saturated and compressed character, similar to vintage tape echo units.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eTap tempo and Ratio control for fast setup\u003c\/h3\u003e\n\u003cp\u003eGuitarists at Sweetwater are always pleased to find a tap tempo switch on a delay pedal — once you've used one, it's hard to go without. Use it in conjunction with the Ratio control to quickly dial in your sound — you'll be able to dial in various subdivisions without having to tap the tempo switch in triplets or eighth notes.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31273037430842,"sku":"NP-JHS-LUCKYCAT","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_5276_3.jpg?v=1577118872"},{"product_id":"jhs-pedals-pg-14-paul-gilbert","title":"JHS Pedals PG-14 Paul Gilbert","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/div\u003e\n\u003cdiv data-rte-preserve-empty=\"true\" style=\"text-align: center;\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eALL THE MIDS CONTROL!\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/div\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31305830760506,"sku":"NP-JHS-PG14","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_5824_2.jpg?v=1580315421"},{"product_id":"jhs-legends-of-fuzz-crimson","title":"JHS Pedals Legends of Fuzz : Crimson","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIn 1969, Electro Harmonix released the first “Triangle” version of the legendary Big Muff distortion fuzz. All throughout the 1970’s we see various new revisions of this famous circuit like the V2 \"Rams Head” (1973), V3 “Pi” (1977), V4 “Op Amp” (1978), but in 1984 everything stopped. Electro Harmonix filed its second bankruptcy, closed its doors, and the mighty Big Muff disappeared for almost a decade. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the early 90’s Mike Matthews noticed that his 1970’s Electro Harmonix pedals were selling for vintage\/rare prices. By 1991 he worked out a manufacturing agreement with an ex-soviet manufacturing company in St. Petersburg and brought the Big Muff back to life. This new version was technically the 7th version of the now famous Big Muff, but since Mike no longer owned his old trademarks, he labeled it the “Mike Matthews Red Army Overdrive” by Sovtek*. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. Only manufactured in small numbers from 1991-1992, very few examples of this still exist, making this almost impossible to find. It shares characteristics with the famous Sovtek* “Civil War” (Late 1992) version, but it stands on its own. Warmer, clearer, and more defined than any of the Soviet Big Muffs that followed, the Red Army offers a unique flavor of a very familiar effect. The Crimson is an exact replica of my own Red Army Overdrive, allowing you to own a unique part of fuzz history.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never before heard “JHS Mode”. Push that button for a mid frequency boost that forces your sound through the mix. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you love the tones of the Smashing Pumpkins, Wilco, Sonic Youth, David Gilmour, White Stripes and Dinosaur Jr, then this is the pedal for you.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31567877308474,"sku":"NP-JHSLEGENDSOFFUZZ-CRIMSON","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4835.heic?v=1695144294"},{"product_id":"jhs-legends-of-fuzz-smiley","title":"JHS Pedals Legends of Fuzz : Smiley","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIn 1966, a salesman named Ivor Arbiter saw the rising British rock scene demanding the effect of fuzz. He decided that his company Arbiter Electronics* needed to join the other London guitar product companies and release his own take on this trending sound. After seeing the circular base of a mic stand, he came up with the idea to put the effect in a similar round enclosure and give it a face: two eyes made of knobs, a foot switch nose, and a brand label mouth. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThus, the Fuzz Face* was born. That same year an American guitarist named Jimi Hendrix arrived in London and adopted Ivor’s design as his weapon of choice, and the rest is history. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe first few years of the Fuzz Face* were manufactured using germanium transistors but by 1969, germanium fully gave way to silicon devices and Arbiter never looked back. Hendrix himself preferred the silicon versions over germanium because of their sound, aggressive bite, and their stability in environments where germanium proved inconsistent. The JHS Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units from my collection were considered and analyzed so that we could be sure to perfectly capture the magic that I love in this era.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face* is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”. This mode sends the Smiley into high gain \/ gated fuzz territory that you may never want to come back from. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31567880814650,"sku":"NP-JHSLEGENDSOFFUZZ-SMILEY","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4871.heic?v=1695144596"},{"product_id":"jhs-legends-of-fuzz-bender","title":"JHS Pedals Legends of Fuzz : Bender","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIn April of 1965, a new device changed rock 'n' roll forever. From the back workbench of Macari’s Musical Exchange on Denmark Street in London, Gary Hurst invented the Sola Sound* Tonebender* fuzz. Building on the foundation of the American-made 1962 Maestro Fuzz Tone*, Gary expanded what fuzz could do and gave a new sound to the thriving London music scene. Starting with his very first prototype made in a simple wooden box (April 1965) to the many other official Sola Sound* versions like the MKI (Sept 1965), MK2 (Mid 1966), MK3\/MK4 (Feb 1970), etc., the Tonebender* has evolved just like the music that it helped create.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Bender is our attempt to recreate the most prized Tonebender* in my collection: my 1973 MK3 Silver\/Orange “Onomatopoeia” version. This version has three very special germanium transistors, tons of mojo, and fifty plus years of experience, but it is finicky and it doesn’t always do what you want it to do. I had to ask: could we replicate this pedal sonically? Could we capture what it's all about, but in a way that is more consistent, dependable, and easy to manufacture? Yes. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never-before-heard “JHS Mode”. Push that button for more gain and a mid frequency boost to send you leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.  \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31567901392954,"sku":"NP-JHSLEGENDSOFFUZZ-BENDER","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4842_e41792f0-1fd4-4ac7-b99b-4456e6745270.heic?v=1695144341"},{"product_id":"jhs-pedals-buffered-splitter","title":"JHS Pedals Buffered Splitter","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThere are so many reasons to add the JHS Pedals Buffered Splitter to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter, or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding our Buffered Splitter to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting our Buffered Splitter on your board will give you your tone back.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eSIMPLE AND EFFECTIVE SIGNAL-SPLITTING DEVICE\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThere are a ton of applications for adding a Buffered Splitter to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the JHS Buffered Splitter, you’ll never be without one again. Here are just a few options.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Send one signal to a tuner that is out of the signal chain while retaining your full tone\u003cbr\u003e- In a dual-amp setup, both amplifiers will see a powerful, clean signal\u003cbr\u003e- Bassists can send one side to their amplifiers, while sending the other to the board\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE \u003c\/h3\u003e\n\u003cp class=\"\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want this quality buffer in your signal chain. The Buffered Splitter is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e- Retains the original tone of your guitar without coloration from the other gear in your signal chain\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/h3\u003e\n\u003cp class=\"\"\u003eA device such as the Buffered Splitter is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSmall size is ideal for saving pedalboard space\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eShips fast and free cuz that's how we be!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31592793112634,"sku":"NP-JHS-BUFFSPLITTER","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5062.heic?v=1695067908"},{"product_id":"jhs-pedals-pink-panther-v1","title":"JHS Pedals Pink Panther V1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe original JHS pink panther delay is a legend in analog delay pedals. When this pedal came out the only other major analog delay with tap tempo was the diamond memory lane. This pedal has an effects loop (located on either side of the power supply) for effecting the repeats in your delay. The switch on the left hand side selects between including the effects loop and bypassing it. The foot switch on the left is the pedal bypass (on\/off) switch and on the right is the tap tempo. The three knobs are (L-R) Repeats, Mix, and Delay time. When the tap tempo is activated (by pressing the tap tempo button more than once), the delay time knob becomes a delay type selector, from 1\/8th note triplets, 1\/8th notes, dotted 1\/8ths, and 1\/4 notes (clockwise from left). \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tone of this pedal is warm and rich, and it adds a nice texture to your guitar sound. The effects loop and tap tempo give you greater tonal control with huge possibilities. Legend has it that only 100 of these were ever made and the only reason this pedal stopped production was that the chip set was discontinued. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis beauty is super clean and functions like a dream! Grab this unique delay and we'll ship it out swiftly and safely the next day. \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31806627348538,"sku":"UP-JHSPNKPANTH","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_5880.jpg?v=1594494342"},{"product_id":"jhs-legends-of-fuzz-supreme","title":"JHS Pedals Legends of Fuzz : Supreme","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the late 1960’s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. This circuit found its way into the lineup of brands all over the world. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThanks to product placement by Pete Townsend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Red and blue, black and grey, white and black, you could pick your color. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume\/boost. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIt ships fast and free, cuz that's how we be!!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/p\u003e\n\u003cp\u003eTHE SUPREME DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31841881063482,"sku":"NP-JHSLEGENDSOFFUZZ-SUPREME","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5477_92ea5c75-dfd1-4c8a-b7e2-d5418e44e1aa.heic?v=1695145106"},{"product_id":"jhs-red-remote","title":"JHS Pedals Red Remote","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eUse our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1\/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting.  The Red Remote is currently compatible with the following JHS Pedals:\u003c\/p\u003e\n\u003ch3\u003eMORNING GLORY V4\u003c\/h3\u003e\n\u003ch3\u003eSUPERBOLT V2\u003c\/h3\u003e\n\u003ch3\u003eTWIN TWELVE V2\u003c\/h3\u003e\n\u003ch3\u003eDOUBLE BARREL V4\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eKILT V2\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eSWITCHBACK\u003c\/h3\u003e\n\u003cp class=\"\"\u003eWhen using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch.  For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's \"GAIN\" toggle will be deactivated and the Red Remote will switch the toggle on\/off as you step on the footswitch. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTo use the Red Remote, plug the remote into the jack of the pedal labeled \"REMOTE...\"  ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31959171039290,"sku":"NP-JHS-REDREMOTE","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4821_068c282c-2ee4-4c1b-8449-ebb9b4f540b0.heic?v=1695145059"},{"product_id":"jhs-3-series-chorus","title":"JHS Pedals 3 Series Chorus","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32044524372026,"sku":"NP-JHS-3-CHORUS","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4778_5379e596-eaac-4f3e-8398-8e3358f92719.heic?v=1694737351"},{"product_id":"jhs-3-series-compressor","title":"JHS Pedals 3 Series Compressor","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32044525420602,"sku":"NP-JHS-3-COMP","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4785_2389e9e2-0a49-44b2-aa9c-4273094aae66.heic?v=1694737400"},{"product_id":"jhs-3-series-delay","title":"JHS Pedals 3 Series Delay","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32044525781050,"sku":"NP-JHS-3-DELAY","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_53402.jpg?v=1601650542"},{"product_id":"jhs-3-series-distortion","title":"JHS Pedals 3 Series Distortion","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis switch plays a big part in how the pedal responds to your playing and touch dynamics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32044527583290,"sku":"NP-JHS-3-DISTORT","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4799_9cd557f0-6448-42bf-9d3c-5b4d76920753.heic?v=1694737529"},{"product_id":"jhs-3-series-fuzz","title":"JHS Pedals 3 Series Fuzz","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp-esq overdrive tones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Fat toggle engages a bass boost for an overall fatter, more powerful sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32044538396730,"sku":"NP-JHS-3-FUZZ","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_53353.jpg?v=1601650623"},{"product_id":"jhs-3-series-overdrive","title":"JHS Pedals 3 Series Overdrive","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32044539215930,"sku":"NP-JHS-3-OVERDRIVE","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4792_3d431ee7-8682-4256-af1e-0939b9be4c4c.heic?v=1694737458"},{"product_id":"jhs-pedals-warble-tron","title":"JHS Pedals Warble Tron","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Warble Tron is an early handmade classic 60's style bulb driven Uni-vibe from JHS. This is likely to be one of the best Univibes you'll ever own.\u003cbr\u003e\u003cbr\u003eIt has flexible controls that give you a wide range of sounds, an oversized speed knob for easy onstage adjustments, and its flashing LED gives visual feedback of the speed.\u003c\/p\u003e\n\u003cp\u003eThis modern classic is in great shape and lightly used. It ships out the next day. \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32049800380474,"sku":"","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_91692.jpg?v=1601848768"},{"product_id":"jhs-kilt","title":"JHS Pedals Kilt V2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEXPANDORA AT HEART\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. JHS uses a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion and everything found in-between.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTOGGLES FOR DAYS\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e– G1 flipped up adds a touch of drive for more riffy grit.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e– G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFor the V2 they have added the ability to switch the G2 toggle with a Red Remote! This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32246403072058,"sku":"NP-JHS-KILTV2","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_51732.heic?v=1724010585"},{"product_id":"jhs-pedals-double-barrel-v4","title":"JHS Pedals Double Barrel V4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need. So let’s look at the Double Barrel V4 and see why it packs a one-two punch that is unrivaled.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\"EVERYTHING LOW-TO-MEDIUM GAIN\" PEDAL AND IT JUST GOT BETTER!\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core sound as the Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. The order toggle lets you choose which circuit is first in the chain. When the toggle is flipped to the right side, the Moonshine is first. When the toggle is flipped to the left side, the Morning Glory is first.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe left side of the Double Barrel is our best-selling Morning Glory V4 overdrive. Transparent and open tones are what lurks inside this circuit as well as the new hi-gain toggle with Red Remote capability. Just plug in the JHS Pedals Red Remote into the “Remote Gain” jack with a standard patch cable and you can switch the “Gain” toggle on the fly for even more tonal options. You now have five on-the-fly overdrive options to choose from in the Double Barrel V4!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eSTACKING FOR DAYS\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the “order switching” toggle that lets you decide what pedal comes first in the signal chain.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Endless overdrive tones from low to medium gain.\u003cbr data-mce-fragment=\"1\"\u003e - Updated versions of the Moonshine and Morning Glory.\u003cbr data-mce-fragment=\"1\"\u003e - Red Remote capability with the Morning Glory V4.\u003cbr data-mce-fragment=\"1\"\u003e - Order toggle to select the order of effects when stacking.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe are convinced that this is one of the greatest 2-in-1 pedals ever made... seriously. If you're having problems getting the tones you want, just grab the Double Barrel V4 and you’ll find out how easy it is to hit the target!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e V1 = Slightly darker cream powder coating, no toggle switches, just 6 knobs.\u003cbr data-mce-fragment=\"1\"\u003e V2 = Color change to more white, order toggle switch was added, morning glory bright cut switch added.\u003cbr data-mce-fragment=\"1\"\u003e V3 = 808 gain toggle added, shotgun logo slightly changed.\u003cbr data-mce-fragment=\"1\"\u003e V4 = Current production model, added Moonshine V2 on right side, Morning Glory V4 on the left side\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39314116018234,"sku":"NP-JHS-DOUBLEBARRELV4","price":345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5026_6dcf97e3-185a-42ab-b44d-51ea6db95bf5.heic?v=1695067410"},{"product_id":"jhs-pedals-charlie-brown-v4","title":"JHS Pedals Charlie Brown v4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEvery guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVINTAGE BRITISH CRUNCH FOR YOUR PEDALBOARD\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Turns any amp into a gritty JTM45 stack\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Go from sixties-style crunch to thick and liquid rock tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Stacks beautifully with overdrive pedals for even more shades of grit\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39407979954234,"sku":"NP-JHS-CHARLIEBROWN4","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4969.heic?v=1695066045"},{"product_id":"jhs-pedals-sweet-tea-v3","title":"JHS Pedals Sweet Tea V3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sweet Tea V3 is our \"Everything Medium-to-High gain 2-in-1” and it covers all the bases from light breakup, blues, rock, heavy grind, and more.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sweet Tea V3 is for anyone who wants a versatile overdrive\/distortion that covers all the bases you need plus more. You’ll find medium-to-high gain tones and the ability to stack for the perfect face-melting sounds.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMOONSHINE ON THE RIGHT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created, housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core sound as the Moonshine Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eANGRY CHARLIE ON THE LEFT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn the left side is our newest version of the Angry Charlie which is the Angry Charlie V3, one of our most popular pedals of the last few years. High gain JCM 800 type “Brown” sound tone that we believe is the most accurate Marshall tone ever put in a stompbox! It has Volume, Drive, and the full Bass, Mid, and Treble tone stack like you’d find on the amp. With the full tone stack and the amazingly accurate amp tones in this circuit, you’ll be begging for more!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFEATURES\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sweet Tea V3 features our classic order switching toggle so that you can choose which circuit is first in the chain for the perfect stacking tones you’ve been searching for.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Even more overdrive and distortion tones\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fully independent Moonshine V2 and Angry Charlie V3 circuits\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Order toggle to select the order of effects when stacking\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Tons of control to dial in your perfect sound\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith these tones combined or used separately, the Sweet Tea V3 is a gallon-and-a-half of overdrive that goes down easy on a summer night!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Slightly different icon, no toggles.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 =  Order Toggle and Gain Toggle added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = Updated Moonshine V2 on the right and Angry Charlie V3 on the left. Top-mount jacks.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39410903121978,"sku":"NP-JHS-SWEETTEAV3","price":345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4976.heic?v=1695066101"},{"product_id":"jhs-morning-glory-limited-edition-2009-throwback","title":"JHS Pedals Morning Glory V1 Throwback Pedal Movie Exclusive","description":"\u003cp\u003eKiller pedal that is often extremely overpriced, thanks to morons buying gear with the sole purpose of flipping. \u003c\/p\u003e\n\u003cp\u003eThe Morning Glory is a killer overdrive capable of low-gain sweetness, klon-style \"clean boost\" and medium gain crunch.\u003c\/p\u003e\n\u003cp\u003eThis one is #88 of the limited run that was released for the Pedal Movie. It's in VERY good condition and it will ship with the original box stupid fast.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39411857063994,"sku":"UP-JHMGV10821BBBW","price":345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_68584.jpg?v=1629492053"},{"product_id":"jhs-pedals-angry-charlie-v3","title":"JHS Pedals Angry Charlie V3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFURIOUS-SOUNDING AMP IN A BOX\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Turns any amp into a screaming Marshall stack\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control, so we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V1 = Larger enclosure and three controls; no Presence Control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V2 = Changed to current production size enclosure; diamond knob layout; Presence\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eControl added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V3 = Color change to red; added three-band tone stack; five controls total; U-shaped knob \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003elayout.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL USES 9V TO 18V NEGATIVE CENTER. THIS PEDAL CAN BE RUN AT 18V FOR\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39431578058810,"sku":"NP-JHS-ANGRYCHARLIEV3","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5005.heic?v=1695067044"},{"product_id":"jhs-pedals-little-black-buffer","title":"JHS Pedals Little Black Buffer","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThough it’s a fairly nondescript-looking piece of gear, our Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard. By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away. And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard. Give the Little Black Buffer a try. You’ll wonder how you went so long without one.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want a quality buffer in your signal chain. The Little Black Buffer is like giving your guitar’s tone a shot of adrenaline, ensuring it hits your amp with the same strength and character as it left your fingers.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr data-mce-fragment=\"1\"\u003e - Retains the original tone of your guitar without tone loss from other gear in your signal chain\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn active buffer, such as the Little Black Buffer, is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Small size is ideal for saving pedalboard space\u003cbr data-mce-fragment=\"1\"\u003e - Can easily be mounted underneath your board\u003cbr data-mce-fragment=\"1\"\u003e - Built rugged\u003cbr data-mce-fragment=\"1\"\u003e - Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39436540313658,"sku":"NP-JHS-LITTLEBLACKBUFFER","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_7404.jpg?v=1632332339"},{"product_id":"jhs-switchback","title":"JHS Pedals Switchback","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that we designed just for ourselves to test and compare pedals in the JHS workshop but we soon realized that it was extremely useful for everyone’s guitar rig on stage or in the studio.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Switchback has one input, one output and two separate selectable effects loops (Send\/Return), plus an A\/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way. There are millions of ways to use the Switchback (Maybe not a million but… You get the idea) but here are a few of our favorite applications that are incredibly useful!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e1. AN A\/B TRUE BYPASS LOOPER\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003ePlace a pedal or chain of pedals in the first loop and place a different pedal or chain of pedals in the second loop. The toggle\/red remote will allow you to quickly switch between those two loops. This is great for instantly placing different effects chains in and out of your rig on the fly or for shooting out two pedals with zero dead time in-between playing… Find out if that old TS808 sounds better than your TS-9 :-) if you demo different pedals, this is a must have.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e2. A SIMPLE TRUE BYPASS LOOPER\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Place your pedal or chain of pedals that you want in the first loop. The toggle\/Red Remote will now toggle between the loop with your effects and the clean bypass signal. There’s no need to bridge the second loop with a patch cable as the Switchback automatically bypasses any loop where there’s nothing plugged in to the jack.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e3. AN A\/B BOX\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Simply use Send 1 and Send 2 to go to two different amps or any other application where you need two switchable outputs, and don’t use the output. Again, using the Red Remote gives you the ability to switch on the fly while playing!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e4. AN AMP INPUT SWITCHER\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Use Send 1 to channel one and Send 2 to channel two. This allows you to “channel switch” on any amp with multiple inputs like old Marshalls and Fenders!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e5. AN EFFECTS LOOP A\/B\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Plug your amp's effects loop Send into the input and the amps return into the output. Then toggle between the two loops of the Switchback as in example #1 above.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eBecause of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1” Red Remote accessible!!!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39444331167802,"sku":"NP-JHS-SWITCHBACK","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4878.heic?v=1695145333"},{"product_id":"jhs-pedals-pollinator","title":"JHS Pedals Pollinator","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Pollinator is a vintage-style germanium fuzz with a wide range of tones. \u003c\/span\u003eWith roughly double output and headroom, the Pollinator V2 picks up where the older design left off. An external Bias knob lets you dial in the power to the Pollinator V2's hand-matched germanium AC128 transistors for smooth or spitting fuzz tones. And the addition of a gain control on the Pollinator V2 dials in the pre-gain of the pedal, interacting with the fuzz for any shade of dirt you desire.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis pedal is lightly used and will ship safely and swiftly in its original box!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39449394610234,"sku":"UP-JHSPOLLIN-ZG101221","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_7962.jpg?v=1634072938"},{"product_id":"jhs-pedals-summing-amp","title":"JHS Pedals Summing Amp","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output.  Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals the Summing Amp creates one mono signal.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays”. This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eShips fast and free cuz that's how we be!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39449943375930,"sku":"NP-JHS-SUMAMP","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5048.heic?v=1695067724"},{"product_id":"jhs-pedals-packrat","title":"JHS Pedals PackRat - Black","description":"\u003cp\u003eHoly Crap. JHS did it again. This might be our favorite.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the then mainstream throes of MXR, DOD and even BOSS’s product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Schofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. \u003c\/p\u003e\n\u003cp class=\"\"\u003eBuilding on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). If you purchased these nine hard-to-find pedals on the used market right now, you would pay around $4,000.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhen you put it that way, $249 sounds pretty reasonable, right?\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMODES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e1. The OG V1 (1979-83)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe OG is a perfect recreation of the first production Version 1 Big Box\/tone control RATs ever made. This is the model that started it all.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e2. White Face V3 (1984-1986)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe “White Face” is the first Small Box RAT and is recognizable for its white filled block logo across the top of the pedal. This model has the more traditional reverse Filter control instead of Tone.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e3. Turbo V5 (1989)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Turbo RAT introduced the world to a different type of distortion by introducing LEDs to the RAT’s clipping section to produce a more powerful distortion sound.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e4. BRAT V6 (1997)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the late nineties, Guitar Center launched an exclusive “budget RAT” with big tone and some unique modifications. The BRAT is the most unique RAT variation ever made by ProCo.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e5. Dirty V7 (2004)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhat happens when you replace the stock silicon diodes with germanium? It gets even dirtier.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e6. LA (1986)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJapanese pedal companies loved the RAT circuit and used it throughout the 1980s disguised as their latest and greatest “original” circuit. The LA Metal is one of the most interesting takes on the circuit from this era.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e7. Landgraff MO’D (1999)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eSwirl paint jobs and point-to-point wiring made Landgraff a father of the nineties boutique era. The MO’D distortion is one of the greatest RAT-style distortions ever made.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e8. Caroline Wave Cannon \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhen I started the PackRat, I knew immediately what friend I was going to invite to the party. The Wave Canon is Caroline Guitar Company’s stab at making this classic circuit even better. I bought the version 1 back in 2012 and immediately fell in love.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e9. JHS Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Mode is the discontinued “PackRAT” modification that I did to RATs for over ten years. It takes everything I love about this circuit and elevates it!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39449959104570,"sku":"NP-JHS-PACKRAT","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4990_0c89d76c-aaff-48df-a54c-ca9af374b423.heic?v=1695066548"},{"product_id":"jhs-pedals-active-a-b-y","title":"JHS Pedals Active A\/B\/Y","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Active A\/B\/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJust plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged.  Hit the right “Y” footswitch, and BOTH channels are engaged for full stereo output. Because the Active A\/B\/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A\/B\/Y will be the one pedal that you can never leave home without!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39471817818170,"sku":"NP-JHS-ACTIVEABY","price":130.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_5040.heic?v=1695067669"},{"product_id":"jhs-3-series-flanger","title":"JHS Pedals 3 Series Flanger","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? The 3-Series Flanger is $99.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39480009097274,"sku":"NP-JHS-3-FLANGER","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/files\/IMG_4771_b2c68be8-fcb5-49e6-881c-e5feff39725f.heic?v=1694737275"},{"product_id":"jhs-3-series-hall-reverb","title":"JHS Pedals 3 Series Hall Reverb","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39480010342458,"sku":"NP-JHS-3-HALLREVERB","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7064\/4549\/products\/IMG_93912.jpg?v=1637950929"}],"url":"https:\/\/eastsidemusicsupply.com\/collections\/jhs-pedals.oembed","provider":"eastside music supply","version":"1.0","type":"link"}